Harry and Meghan: A Documentary That Misses the Mark

In a world where every move of Prince Harry and Meghan Markle is scrutinized, a new documentary titled Harry the Lost Prince has emerged, but it seems to be more of a rehash than a revelation.

Created by Ulrike Grunewald, a seasoned German documentary filmmaker with a career in royal reporting dating back to 1987, this 45-minute film attempts to answer a burning question: Have the Sussexes truly found freedom after stepping away from their royal roles?

The answer, as it turns out, is a definitive no.

Set to air on December 3rd in Germany, this documentary seems to offer little beyond a summary of events that have unfolded over the past four years.

Grunewald's exploration of Harry and Meghan's lives in Montecito aims to dig deeper into their post-royal existence, yet her findings reveal a couple struggling to fit in with their affluent neighbors.

Who would have guessed that distancing themselves from the British monarchy would leave them feeling isolated in California's elite circles?

Despite their wealth, Harry and Meghan appear to be somewhat of an enigma in their community.

Grunewald observed that they rarely engage in local activities, opting instead for mundane outings like grocery shopping or dog walking.

It's almost as if they're trying to fly under the radar while simultaneously craving the spotlight—an ironic twist for a couple known for their high-profile public appearances.

One of the more eyebrow-raising aspects of the documentary is Grunewald's critique of Archewell, the couple's much-lauded charitable foundation.

According to her, the organization is poorly managed and has seen a dramatic drop in donations—from a lofty $13 million in 2021 to a mere $2 million in 2022-23.

With only an hour a week dedicated to their philanthropic efforts, one has to wonder: Are Harry and Meghan genuinely committed to making a difference, or are they simply too preoccupied with their various media projects?

The Invictus Games, which were supposed to showcase Harry's dedication to supporting wounded veterans, also come under scrutiny.

Grunewald points out that the financial burden of hosting these games falls heavily on taxpayers.

For instance, the recent event in Düsseldorf cost German taxpayers a staggering 40 million euros, while the upcoming Vancouver edition is projected to require 20 million pounds from the Canadian government.

It seems Harry is happy to take center stage while others bear the financial brunt.

Though the documentary aimed to shed light on the couple's journey, it ultimately reveals that Harry and Meghan are still navigating their new reality without a clear direction.

Their ventures, much like their public image, appear to be floundering rather than flourishing.

With all the buzz surrounding Harry the Lost Prince, it's surprising to find that Grunewald may not have unveiled any groundbreaking truths.

Instead, she reinforces what many have suspected: Harry and Meghan are still figuring things out.

As the couple continues to chart their course away from royal life, one can't help but wonder if they will ever find the balance between their desire for privacy and their penchant for publicity.

In the end, this documentary serves more as a reflection of their ongoing struggles than a celebration of their achievements.

It's clear that while the Sussexes may have left the royal family behind, the challenges of reinvention and acceptance in their new world remain ever-present.